G. Verdi: Aida – Amonasro

Michele Kalmandi brought to stage an Amonasro meticulously elaborated both in the acting and in the singing, placing a much greater emphasis on the mental processes of the character, rather than his wildness, which led to a uniquely intriguing portrait of the role.

Peter Skorepa, Der neue Merker

G. Verdi: Rigoletto – Rigoletto

Michele Kalmandi, a balanced baritone with a warm and solid tone, embodied Rigoletto as a genuine father figure. It was a true artistic achievement.

L’Opera: mensile per il mondo del melodramma, Milano

G. Verdi: Otello – Jago

As expected, the best character was Kálmándi’s Iago. His impressive appearance incorporates everything one imagines when thinking of what „dark charisma” can mean. In addition, we hear a sonorous, rich voice that perfectly mirrors the temperament. Kálmándi’s Iago is forceful, cynical, honest and truly believes in a cruel God; yearning for this belief to be proved right, he easily disposes the dark side of Othello, unleashing a huge fire from a tiny spark. Kálmándi is the only member of the cast who is strong enough to be in harmony with the setting, using it to his own benefit.

Jan Falk, operanews.ru